|
|
|
| Home Biography Published Works Photographs Memorial |
Catherine Rodgers McLain |
CATHERINE RODGERS McLAIN, only child of the union of Bessie Garlington and George
Rodgers, was
born March 27, 1916, in a house her father built in Camp Hill, a
small town in Tallapoosa County, Alabama. An older half sister, Ruth
Rodgers, had been born in 1902, but for all practical purposes Catherine Rodgers
felt she was an only child. At age seven she began writing
stories about animals and published her first short story in the BIRMINGHAM
NEWS-AGE HERALD in 1937 at age 21. She continued perfecting her writing
craft at both Auburn University, where she received her master's degree in 1941,
and later at the University
of Alabama. With several published short stories and sample chapters
of an unfinished novel, she was accepted into Hudson Strode's advanced writing
class, which was world renowned for turning out published writers. Strode
adhered to the belief that each person has a book in him, and his methods
succeeded in helping bring the book out of each of them. Lonnie
Coleman, one of the more successful graduates (Beulah Land,
Hot Spell, etc.), said Strode's success was due to the fact he treated
the pupils as professional writers already; classmates
generally critiqued one another's work in a professional manner. The
technique succeeded well. Each student was required to
complete one novel, and in many cases this led to contracts with
publishers. In Strode's lifetime the class produced 59 published novels
and hundreds of short stories. Some of Strode's other proteges included
Walker Percy, Gay Talese, Wayne Greenhaw, Winston Groom ("FORREST
GUMP"), Helen Norris ("THE CHRISTMAS WIFE",
"THE CRACKER MAN"), Martha Leatherwood Moffett, Thomas
Rountree, and John Craig Stewart. Harper Lee audited the class.
Catherine Rodgers completed her first
novel, THE SWINGING GATE, and promptly sold it to Doubleday in
1951. However, the
Korean War had started and the publisher decided an anti-war novel might be
unpopular. Publication stalled for several years and finally the project
was shelved altogether.
At the University of Alabama, Rodgers had toyed with the idea of writing a novel rooted in
some of her earlier short stories and experimented with writing a few
chapters. To work through the frustration of the publication problems with THE SWINGING GATE, she began to
pound out her second novel. The writing took two years and a third year
was spent editing it. Doubleday promptly purchased this one too. It
was a thirteen hundred-page epic entitled THE INHERITANCE, which
Nelson Doubleday took a personal interest in. He edited it himself,
condensed it to one-third its original size, and renamed it THE TOWERS
INHERITANCE, a title the author despised. She felt it lessened the integrity of
the book and made it sound like a genre novel. Despite its ambiguous title, it became
a Book-of-the-Month Club featured selection, a momentous achievement at that time. It was doing well enough in sales, but then
appeared on a
blacklist as racist, and in time Harper Lee's TO KILL A MOCKINGBIRD
knocked it off the national charts. But for two years THE TOWERS
INHERITANCE sold better in the South than did TO KILL A MOCKINGBIRD. A Spanish version, published in 1961, was
likewise successful. Catherine was heartsick
about the allegation of racism. It was not a racist novel, but rather a period Southern novel which did not happen
to center on the racial inequities of the period. Nelson Doubleday had removed many references to
"black" people from the text and replaced them with the epithet
"colored" people, which Catherine felt was "corny" and
outdated by 1957. The story concerns the legacy of a small family
dynasty in an Alabama lumber town from 1902 to World War I and is generally considered a light-weight
romance. It is that and more. Anyone browsing through it immediately
recognizes that it crackles with life. The author has subtly ordered her
world with such deft precision and smooth pacing that the reader forgets this is
a work of art and not life.
The success of this novel allowed Rodgers freedom from work. So for many years
she attended to elderly relatives and devoted much
of herself to teaching English at several local schools in Talladega and
Tallapoosa counties. She taught English, she said, in order to provide a
needed service but also to keep in touch with young people. Her marriage to Thomas Jackson McLain in 1960 was a
pleasant diversion lasting until his death in 1977. In 1992 Auburn University
commemorated the centennial of women at AU by
choosing to honor 100 of the most outstanding women among the alumnae; she was among the first four
of its Centennial Women. Latter years were
spent tackling animal rights and
environmental issues, and in maintaining the house her father had built at the
corner of Rodgers Street and Sen. Claude Pepper Drive. Her home has been
described as a perfect time capsule of 1912 Alabama and as such should be preserved. Throughout this
time she also edited the work of other writers and worked on a
biography of her husband's life. She wrote and rewrote this memoir for the
last twenty-five years of her life. Catherine Rodgers McLain died
of cancer July 13, 2004.